Autumn in France 1911

Emily Carr painted "Autumn in France" with what looks like oil paint, and a real zest for laying down color. It’s like she’s wrestling with the landscape, trying to pin down all its vibrant energy. Up close, the paint is thick in places, almost sculptural, you can see the marks the brush made, little dashes and swirls of yellow, green, and even some unexpected reds. It's as if she's not just painting what she sees, but also how it feels to be there, soaking up the light and the crisp air. Look at the way she handles the trees in the foreground. Each stroke is so deliberate, creating a rhythm across the canvas that pulls you into the scene. In terms of touch, you might compare her work to Van Gogh, though Carr definitely has her own voice. Ultimately, this piece reminds us that painting is really about the joy of seeing and feeling the world around us.