Vijf foto's van Loentje en Willy Onnen met onder andere Winny Uhlenbeck by Carolina (Loentje) Frederika Onnen

Vijf foto's van Loentje en Willy Onnen met onder andere Winny Uhlenbeck Possibly 1909 - 1911

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photography, albumen-print

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portrait

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landscape

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photography

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albumen-print

Dimensions height 203 mm, width 253 mm

Curator: Let's examine this intriguing page from an album: "Vijf foto's van Loentje en Willy Onnen met onder andere Winny Uhlenbeck," likely dating from around 1909 to 1911. These albumen prints offer us glimpses into a past world. Editor: It’s such a charming collection! My immediate impression is one of soft light and leisurely summer days. There’s an intimate quality here, like stepping into a forgotten memory. Curator: Exactly. Albumen prints, popular at the time, create that characteristic sepia tone and slightly dreamy texture, enhancing the sense of nostalgia. I'm interested in what these images tell us about gender and leisure at the beginning of the twentieth century. We see what appear to be family or social circles, enjoying recreational activities. Editor: Yes, the women here seem self-assured and comfortable. The photograph with the sailboat evokes the rise of leisure activities for women. Who took these photographs, I wonder? Curator: We know that Loentje Onnen, mentioned in the title, was the photographer behind some of them, at least. These photographs contribute to a broader understanding of photography’s role in shaping social memory and constructing identities in the early 20th century. Editor: These portraits seem like small acts of defiance – ordinary women seizing control of representation. Even the handwritten annotations contribute to the storytelling. They give these otherwise simple scenes profound significance, offering tangible links to a bygone era and fostering questions about social class, identity, and the collective cultural consciousness of the period. Curator: Definitely, and thinking about photography’s democratization and accessibility back then invites questions about who gets to record and whose stories become visible. That helps re-center the conversation about agency and access. Editor: Absolutely. I’ll never look at old photo albums the same way again. Curator: Precisely. Now, let’s explore other pieces from the same era...

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