Dimensions: support: 1143 x 1524 mm frame: 1410 x 1790 x 135 mm
Copyright: © The estate of L.S. Lowry | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This large-scale painting, simply titled "Industrial Landscape" by L.S. Lowry, really captures a sense of bleakness with all the factories. What do you see in this piece? Curator: The dense materiality of this landscape speaks volumes about the means of production at the time. It's not just depicting factories; it's about the labour, the consumption, and the very air choked by industrial processes. Do you notice how the 'matchstick men' seem dwarfed? Editor: Yes, they almost seem like part of the machinery themselves. I hadn't thought about the people as part of the industrial process. Curator: Exactly. It highlights how human bodies became extensions of the factory system, cogs in a larger machine. Editor: That's a powerful point. I'll definitely consider that next time. Curator: Indeed, a stark reminder of the human cost embedded within industrial progress.
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http://www.tate.org.uk/art/artworks/lowry-industrial-landscape-t00111
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This picture is typical of LS Lowry’s panoramic cityscapes. It gives us a view dominated by smoking chimneys, factories, roads, bridges and industrial wasteland. The Second World War meant there was greater industrial output. The resulting pollution continued to choke British cities into the 1950s. This is an imaginary composition, but elements of the view are real, such as the Stockport Viaduct, in the top left of the picture. Gallery label, September 2023