La sixième Trompette. Les Anges prisonniers au bord de l'Euphrate. Apoc. IX 

"La sixième Trompette" or "The Sixth Trumpet" was painted around 1050 by the artist Facundus, and its title references the book of the Apocalypse 9. This piece reflects the medieval period’s anxieties surrounding the end of times, a sentiment felt by the artist, and a society that grappled with the concepts of divine judgment and salvation. Look at the stark colors and symbolic elements, such as the angels and trumpets which evoke both fear and awe. The angels are depicted with distinct features and garments, and their varied skin tones suggests a nod towards cultural diversity. The imagery of imprisoned angels near the Euphrates River suggests that there are geographical and spiritual boundaries that carry profound significance. The river, often associated with the beginning of civilization, now becomes a site of confinement and potential destruction. Facundus doesn't just depict a religious narrative; he invites us to consider questions of power, freedom, and the complex relationship between humanity and the divine.