Groepsportret met drie kinderen met hoeden by Johannes Gerardus Kramer

Groepsportret met drie kinderen met hoeden 1868 - 1903

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photography, gelatin-silver-print, albumen-print

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portrait

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impressionism

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photography

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child

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group-portraits

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gelatin-silver-print

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genre-painting

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watercolor

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albumen-print

Dimensions height 81 mm, width 50 mm

Curator: Looking at this photograph, the faces of these children are quite haunting. It has such a melancholic feeling. Editor: Indeed. This is a piece entitled “Groepsportret met drie kinderen met hoeden,” which translates to "Group portrait with three children with hats." Attributed to Johannes Gerardus Kramer, the photograph was created sometime between 1868 and 1903, using a gelatin silver print and albumen print. The craftsmanship and materials speak to the historical development of photographic techniques during that period. Curator: Right, there's so much labor involved that we don't see at first glance! I think of the photographic process, all the chemical processing. Looking closer, it also raises questions about the status of childhood in the late 19th century. The rigid poses, the carefully chosen outfits, it feels like children were seen more as miniature adults rather than individuals to be nurtured with play. Editor: That is definitely reflected in the aesthetic. The somber, serious expressions suggest a suppression of childlike joy. The material elements of dress—the hats mentioned in the title and the fabrics—convey social class and adherence to normative behavior for this particular historical moment. Curator: It does feel highly posed and constructed. I think that speaks volumes about social hierarchies. The children's clothes really solidify this: The darker clothes almost denote some kind of work uniform in comparison with the frillier clothes on the girl to the right. Editor: Absolutely. And beyond immediate observations, it forces us to consider who was absent from these early images. Who didn’t have the money to commission such photos? This artwork encourages us to be critical about visibility and representation then and even now. Curator: I suppose. It has definitely given me more to reflect on regarding the relationship between children, the photographic medium, and social expectations. Editor: Agreed, a deeper awareness of photographic materiality brings more complex meaning into view and asks bigger questions.

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