Constance Queniaux 1860

These eight photographic portraits of Constance Queniaux were made by André Disdéri, a master of the carte de visite. Observe how each image captures Queniaux in slightly varied poses and expressions. The arrangement of the images evokes the classical motif of the 'aura' – a halo of light or divine presence surrounding a figure, typically reserved for religious icons. Here, the repetition and slight variations in pose create a similar effect, suggesting an attempt to capture not just a likeness, but also the essence or spirit of the sitter. Consider how the gesture of her hands resting gently on a table echoes similar poses found in Renaissance portraits of nobility. It is a timeless symbol of poise and control, yet imbued with the specific social codes of the 19th century. The way we present ourselves, and the symbols we choose to embody, are part of a continuous, evolving dialogue between past and present.