Horse Walking to the Left c. 16th century

Editor: Here we have Antonio Tempesta's "Horse Walking to the Left". It's hard to pin down a date, but the cross-hatching gives it a very classical feel. What do you see in this piece? Curator: Well, considering Tempesta's background in printmaking and his prolific output, this image participates in a broader market for equestrian imagery. How does the accessibility of prints affect the public's relationship with this kind of subject matter? Editor: I guess it makes owning art more democratic? Instead of just the wealthy having access, everyone can own a copy. Curator: Exactly! And what does that shift mean for the status of the horse itself, as a symbol? Editor: I never considered the democratizing power of prints before. Thanks! Curator: My pleasure!