Paperweight by Compagnie de Saint Louis

Paperweight c. 19th century

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paper, glass

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paper

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glass

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decorative-art

Dimensions: Diam. 6.9 cm (2 3/4 in.)

Copyright: Public Domain

Curator: Before us is an enchanting glass paperweight crafted around the 19th century, believed to be from the Compagnie de Saint Louis. Editor: My immediate impression is of contained abundance. The colors—vibrant greens, reds, and earthy tones—are cheerful. And what about the texture? Look how the interwoven white latticino pattern adds this incredible depth! Curator: Indeed, and to understand this object, we have to consider its place in 19th-century society. Paperweights, far from mere desk accessories, signified status and refined taste, reflecting the era’s burgeoning consumer culture and the bourgeois desire to possess beautifully crafted objects. This specific paperweight allows a deeper look at France and its society. Editor: Exactly! The technique is remarkable. This close-packed arrangement, where fruits and foliage are seemingly suspended in crystal clear glass. There is definitely intentionality at work. I appreciate the precise arrangement—that organized symmetry is the work of true master artists. Curator: And we mustn't overlook the inherent symbolism. These carefully chosen motifs represent ideals central to that century, a romanticized version of the natural world tamed and perfectly preserved within a sphere of glass. This reflects the socio-political impulse to categorize and control. Editor: An astute observation. Still, I'm struck by the materiality itself. Glass as both a medium and a lens… How the light filters and refracts, magnifying the beauty of what's within. The contrast of that rigid, almost clinical latticino background with the softness and fluidity of the fruits… it's masterful. Curator: It is! Glass is a marker of both the age of revolution in manufacturing but also of intense European and worldwide colonialism. To have beautiful colors requires particular chemicals mined the world over. So in one lovely item, so many global influences present, materially and spiritually. Editor: Ultimately, it speaks to how something functional, an item used for everyday purposes, can transcend into the realm of pure art through meticulous craftsmanship and the application of visual ingenuity. Curator: Precisely, we can appreciate that in our social and cultural contexts, beauty lies not just in what we see but how it speaks of our entangled histories and aspirations, a lens that refocuses how we observe even the simplest form.

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