Portret van een onbekende man van de Besharin-stam met schild en speer by C. & G. Zangaki

Portret van een onbekende man van de Besharin-stam met schild en speer 1870 - 1900

print, photography

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portrait

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print photography

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africain-art

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print

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outdoor photograph

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photography

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indigenous-americas

Editor: Here we have a print by C. & G. Zangaki, dating sometime between 1870 and 1900. It's titled "Portret van een onbekende man van de Besharin-stam met schild en speer," which translates to "Portrait of an Unknown Man of the Besharin Tribe with Shield and Spear." The sepia tone gives it a striking, almost timeless quality. What stands out to you? Curator: The very act of creating this image raises crucial questions. Think about the power dynamics inherent in anthropological photography of the period. This wasn't simply a neutral act of documentation. Who commissioned this portrait, and for what purpose? Was it meant to educate, to exoticize, or something else entirely? Editor: So, the image itself becomes a document of colonialism, in a way? Curator: Precisely. Consider also the "unknown" nature of the subject. He's reduced to a type, a representative of the Besharin tribe, rather than an individual. His name, his story – all are erased. The staging, too, feels significant. The shield and spear, the pose, it's all very deliberate, perhaps catering to European expectations of African warriors. Editor: It’s interesting how a seemingly simple portrait opens up so many questions about representation and the history of photography itself. I hadn’t considered all those power dynamics. Curator: The photograph’s setting within the Rijksmuseum is also relevant. It suggests the perceived "otherness" of the subject, classifying him within a historical and ethnographic framework that reinforces a Western perspective. But what agency did this man have in how he was presented? Editor: So much to unpack in a single image. It really highlights the complexities of looking at historical art and the importance of considering context. Thanks! Curator: Indeed. This image acts as a visual record and also as a social document, opening discussions on its cultural, scientific, and ideological impact through colonization and the institutionalization of anthropological ideas.

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