Salomons dom 1924

Editor: So, here we have Joakim Skovgaard's 1924 ink drawing, "Salomons dom", or "Solomon's Judgment." There's something quite stark about it. It’s just pen and ink, and the composition is so immediate, with this looming figure about to bisect an infant! What historical and social commentary might Skovgaard be making here? Curator: A key starting point would be to acknowledge how Skovgaard positions this particular historical narrative within the cultural context of his time, the early 20th century. The story of Solomon's Judgment has historically served as a demonstration of ideal, divinely inspired justice. Skovgaard's choice to revisit this narrative suggests an engagement with evolving notions of justice. Editor: How so? Curator: Well, how is justice being represented and dispensed at this historical time? What are some of the contemporary institutions or systems of power doing that resonate or diverge from Skovgaard's retelling? The drawing’s medium too is noteworthy. What does the simplicity and almost archaic feel of the pen and ink contribute to the understanding of this complex power dynamic between justice and the role of judicator and ruled? Editor: I hadn’t thought about the role the medium plays in influencing our perception! Considering the time it was created, there’s something to be said about this old-fashioned technique conveying modern anxiety about how justice is actually practiced, versus how it’s meant to be. Curator: Exactly! It underscores how art participates in shaping social and ethical dialogues, provoking consideration of our civic duties and ideals. I hope this helps you think about these works in our collection, with a slightly revised viewpoint. Editor: It definitely does. Thanks! I will think of these works very differently, now.