Batavia - Privaathuis te Rijswijk (Mr. Schenk) 1863 - 1866

Curator: Look at this stunning albumen print titled "Batavia - Privaathuis te Rijswijk (Mr. Schenk)", created sometime between 1863 and 1866 by Woodbury & Page. It's currently housed here at the Rijksmuseum. Editor: My first thought is, wow, what a tableau! It's so meticulously staged. The light is hitting the scene in such a way that it creates almost a stage-like depth of field. Curator: Exactly! Notice how the photographers used the architecture of the house itself to frame the subjects? It is masterful! The columns act almost like proscenium arches, drawing the eye directly to the figures. What do you make of the people presented, here? Editor: It's interesting how they’re arranged, almost a family portrait but on a grand scale. They seem aware of the camera, each adopting a composed, rather formal pose. It suggests both pride and perhaps a little self-consciousness. You get the feeling there's an entire story there if only one could look closely enough to see what it is. Curator: Yes, this blend of genre painting and portraiture speaks volumes. The play of light and shadow certainly contributes to this sense of depth. The whiteness of their garments is boldly juxtaposed against the house and surrounding scenery. What do you notice about how the subjects contrast with the setting? Editor: They’re dressed in lighter clothing, contrasting with the heavier building. There is something almost surreal. Is it a portrait of belonging or displacement, connection or estrangement? All seem present in the balance. Curator: These are key components to contemplate when examining Woodbury & Page’s creation. The technical skill involved in producing such a sharp, detailed image using the albumen process is notable for the time! It certainly captures a moment frozen in history with profound clarity! Editor: Indeed. The beauty lies in the contrasts, the stillness, and the palpable sense of history emanating from this fascinating work. A scene forever still!