Project for a Tomb, Three Figures and an Angel (recto); Project for a Tomb: Three Figures and an Angel (verso) n.d.

John Bacon the Elder made this drawing for a tomb project using graphite on paper. The apparent simplicity of the materials belies the complexity of the artistic and social traditions at play. Bacon was a prominent sculptor in 18th-century England, known for his Neoclassical monuments. The sharp lines of the graphite mimic the crisp edges he would have achieved in marble. Though only a sketch, the drawing reveals much about the labor involved in erecting a memorial like this. The extraction of stone, the transportation, the skilled carving, all would have required considerable resources. The figures themselves—angel, mourners, and putto—are posed with an idealized grace, reflecting the influence of classical sculpture. Bacon's reliance on this visual language speaks to the value placed on craftsmanship, taste, and the ability to evoke emotion. It reminds us that even a simple drawing can be a potent symbol of social status and cultural aspiration.