drawing, print, intaglio, graphite, engraving
portrait
drawing
intaglio
figuration
11_renaissance
graphite
history-painting
engraving
realism
Dimensions height 446 mm, width 584 mm
Georges Léonce Massot made this print of the Dead Christ Lying on a Shroud. Although undated, we can place the artwork in the late 19th or early 20th century, as it was when Massot was working. Massot’s depiction invites contemplation on the historical and cultural narratives surrounding the figure of Christ. Consider the traditional imagery of the martyred religious figure juxtaposed with the era in which Massot lived. During this time, the notion of the ‘heroic’ was being questioned across Europe. Representations of the body are not simply aesthetic choices but are laden with social and political implications. Note the physical vulnerability of Christ. How does Massot's portrayal challenge or reinforce conventional ideas about power and sacrifice? The emotional weight of the image lies in this tension between the divine and the mortal, inviting viewers to reflect on themes of suffering, redemption, and the human condition.
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