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Curator: James Charles, born in 1851, painted "Children of Charles I." It's held at the Harvard Art Museums. Editor: Gosh, it's eerily formal, isn't it? Those children look like miniature adults, trapped in their finery. Curator: It's a depiction of royal childhood, so there's that. The artist grapples with themes of lineage and destiny, especially considering Charles I's turbulent reign. Editor: Turbulent indeed. This portrait inadvertently highlights the stark class divisions of the era, doesn't it? The privilege, the expectation. Curator: It’s difficult to view it outside the framework of what we know about English history, and the class structure that perpetuated such inequity. Editor: Absolutely. It's a chilling reminder of how societal structures shaped, and often confined, individual lives. Curator: Art, when viewed through such a lens, helps us understand these issues and how they still reverberate. Editor: Yes, and perhaps that’s the enduring power of art—to make us question and reflect.
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