Ichikawa Danjuro IX als Watonai 1898

Toyohara Kunichika's woodblock print depicts Ichikawa Danjuro IX as Watonai. The print employs multiple blocks of cherry wood, each meticulously carved and inked separately, then pressed onto paper. This labor-intensive process allowed for the vibrant colors and intricate details characteristic of ukiyo-e prints. The materiality of the print influences its appearance in several ways. The wood grain subtly textures the image, while the layering of inks creates depth and richness. The flat planes of color and bold outlines are a direct result of the woodblock printing technique, lending the image a graphic quality. Woodblock printing was not merely a technical process, but a cultural practice. It demanded skilled craftsmanship and a deep understanding of materials. By considering the materials, making, and context of this artwork, we can challenge traditional distinctions between art and craft.