Hermit Holding the Relic to be Kissed 1810

Curator: Bartolomeo Pinelli's etching, "Hermit Holding the Relic to be Kissed," pulls you into a scene of devout exchange. Editor: It's intriguing how the line work emphasizes the coarse fabric of the hermit's robe, contrasting with the smoother rendering of the family's garments. It speaks of different material conditions. Curator: Absolutely, and I see in it the tension between the spiritual and the earthly. The relic itself, though small, becomes a focal point—a literal point of connection. It almost feels like a bridge between the sacred space and the ordinary lives of the family. Editor: Considering its size, this plate must have been relatively easy to produce and distribute, perhaps reaching a wider audience and reinforcing religious beliefs through accessible imagery. Curator: Yes, it is a glimpse into a moment of faith, isn't it? Editor: It makes me wonder about the relic itself—what is it made of, who made it, and who profited from its distribution.