Jupiter embracing Juno, from the Farnese Palace by Jacques Belly

Jupiter embracing Juno, from the Farnese Palace 1641

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drawing, print, engraving

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drawing

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allegory

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baroque

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print

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figuration

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history-painting

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engraving

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erotic-art

Dimensions Sheet (trimmed): 8 7/8 × 5 7/8 in. (22.5 × 15 cm)

Curator: Before us is Jacques Belly's 1641 engraving, "Jupiter embracing Juno, from the Farnese Palace," currently held at the Metropolitan Museum. It reproduces a section of Annibale Carracci's famous fresco. Editor: My immediate response is to the intensity of light and shadow—the stark contrast adds a potent, almost theatrical dimension to this intimate moment. Curator: Precisely! This work visualizes power, not just divine, but the authority wielded over bodies, especially female bodies. The gaze of Jupiter—possessive, demanding—dictates Juno's position within a power structure. The gaze is active; Juno's receptive. Editor: I see it too, and the composition definitely amplifies that reading. Notice how the engraver uses very controlled lines to define forms, the crosshatching building volume, almost sculptural in its effect. Observe, also, the way the drapery folds frame and highlight key body parts—the thigh, the breast. Curator: Right, and those deliberate visual choices highlight the objectification, the subjugation. This scene becomes less about love or union and more about patriarchal dominance enshrined within even mythological narratives. Let's consider the implications for women in positions of power. What expectations, what limitations? Editor: I suppose those observations are reasonable. Yet, I'm captivated by the dynamic tension. The entwined figures create a spiraling composition that pushes the eye upwards, enhanced by the textures and lines, conveying the rapture, even in a forceful way. The technical prowess cannot be ignored. Curator: But should we separate technique from its ideological implications? Consider the role this image, and images like it, played in constructing and reinforcing societal norms. This artwork is an engraving meant for circulation. It spreads and validates these ideas. Editor: Fair enough. Yet it makes me think that the composition presents Jupiter as dependent on Juno for maintaining control. Curator: A fair point about its potential for complex readings! Editor: Overall, though, it's fascinating to unpack these layers of meaning. Curator: Agreed. Engaging with the work from these dual perspectives allows for a deeper comprehension of not just its artistry, but its cultural significance.

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