Immaculate Conception c. 19th century

Curator: This is Léopold Massard's "Immaculate Conception," which is housed here at the Harvard Art Museums. What strikes you first about this image? Editor: Oh, the ethereal quality, definitely. It feels like a dream, a soft-focus memory hovering just out of reach. The monochromatic palette contributes to that feeling of timelessness. Curator: Massard seems to be playing with established iconographic traditions here. The Virgin Mary, surrounded by cherubic figures, suggests a specific theology related to purity and grace. Editor: Absolutely. It’s a compelling rendition of a classic theme. The sea of cherubs seems almost playful, contrasting with the Virgin's serene, almost melancholy expression. Curator: It is interesting how Massard uses the cherubs as a bridge between the divine and the earthly. They symbolize innocence, but also divine approval. Editor: I hadn't thought of them as a bridge, but that resonates. It makes me think about how we, as viewers, are positioned in relation to this scene. It’s so delicate and carefully rendered; you feel invited in. Curator: It is a powerful symbol that transcends time. Editor: Yes, and each symbol is a tiny piece of our history.