Fraktur 1935 - 1942

Editor: This is "Fraktur" by Richard Barnett, likely created between 1935 and 1942. It appears to be a print with watercolor and ink on paper, resembling a decorative document. I’m immediately drawn to the folk-art style and miniature details. What can you tell me about it? Curator: It’s interesting how Barnett revives Fraktur, a Pennsylvania German folk art form, so late – well into the 20th century! This connects to the broader history of American folk art, doesn’t it? There's a rediscovery of traditions during the interwar period, potentially as a way to reinforce cultural identity during times of rapid change and, globally, rising facism. How do you interpret the prominent use of text? Editor: I noticed the German script within the heart shapes and surrounding the central vase. The text seems integral, almost like the images are illustrating a story or a ceremony, maybe like a baptism or birth announcement. I was also wondering, who was this artwork meant for? Curator: Exactly! "Geburts- und Taufschein" translates to "Birth and Baptismal Certificate." Its public role served as important cultural document, formally recording major life events in a community. Considering that Richard Barnett's art revives this public record, one can ask why an early 20th-century artist return to this style? Who would be interested in buying a vintage rendering of what was already obsolete by then? The placement of angels and birds is conventional; have you noticed any atypical symbolism, perhaps reflecting contemporary sensibilities? Editor: That’s a fascinating detail! The style and subject feel so old world, that it’s really odd knowing this was made just before WWII. I hadn’t thought about it as a deliberate choice and potentially appealing to collectors looking for reminders of a specific ethnic and cultural identity. Curator: Precisely! Art is never made in a vacuum, but always speaks to—and out of—specific circumstances, so thanks for noticing. Editor: I will never see Folk Art the same way now. It’s not just about aesthetics but about preserving history.