Baby 

James Ensor created this drawing titled 'Baby' with charcoal on paper. This seemingly simple image resonates with a deep, archetypal theme: the representation of innocence and vulnerability, shrouded in shadow. The child figure, clutching an indistinguishable object, is reminiscent of countless portrayals of childhood across art history. Think of Renaissance depictions of cherubic infants, symbols of purity and divine love. Yet, here, the stark contrast and somewhat obscured features introduce an element of uncertainty, an apprehension perhaps reflective of modern anxieties surrounding innocence lost. We find echoes of this visual paradox in Goya’s later works; in the works of Kollwitz, too. The psychological tension between light and dark in Ensor’s drawing evokes a primal response, tapping into our collective memories and subconscious fears about the fragility of life. It's a poignant reminder of how symbols persist, evolving to reflect the changing emotional landscapes of different eras.