Pompée verbrandt correspondentie 1763 - 1764

This print, “Pompée verbrandt correspondentie”, was made by Noël Le Mire sometime in the 1700s, using etching and engraving on paper. The artist has incised lines into a copper plate, using acid to deepen the grooves. Ink was then applied, and the image transferred to paper under immense pressure, resulting in fine lines and intricate details, requiring great skill and time to execute. We should acknowledge the labor involved in the production of prints like this. In the 18th century, they were a key means of disseminating images and ideas, acting as a form of mass media. Notice how the lines create shading and texture, bringing depth to the scene. The choice of paper as a ground is crucial; its absorbent quality allows for the ink to adhere, creating a lasting image. The whiteness of the paper also provides a stark contrast, emphasizing the narrative taking place. So, next time you see a print, consider the complex interplay of material, process, and social context that brings it to life.