Head and Shoulders of Figure 1919 - 1920

Max Weber created this print, Head and Shoulders of Figure, by carving an image into a block of wood, then inking and printing it on paper. This is a traditional technique, and it's worth remembering that before photography, prints like this were how images circulated. Look closely, and you’ll notice that the image is defined by what has been cut away. The stark contrast between the dark ink and the untouched paper gives the figure a powerful, graphic presence. Weber has made the most of the woodcut’s inherent qualities. The grain of the wood, though subtle, adds texture to the image, while the sharp lines convey a sense of immediacy. Printmaking democratized art, making it accessible to a wider audience, and challenging traditional notions of artistic value. By embracing this medium, Weber aligned himself with a history of creative practices that blur the lines between art, craft, and social commentary. So when you look at this print, consider not only the image itself, but also the means of its production, and its place within a larger cultural landscape.