Twee staande boerinnen, eentje met een kind op haar arm by Marie Lambertine Coclers

Twee staande boerinnen, eentje met een kind op haar arm 1776 - 1815

0:00
0:00

Dimensions height 73 mm, width 50 mm

Curator: What a fragile, ghostly scene! There’s such delicate rendering of form. Editor: It’s ethereally haunting, isn't it? I see shadows in lace and hear whispered stories in every etched line. Almost makes me want to hold my breath so I don't disturb the silence. Curator: Precisely! We’re observing here an etching by Marie Lambertine Coclers, titled "Twee staande boerinnen, eentje met een kind op haar arm" which translates to "Two standing peasant women, one with a child in her arm." Coclers created this work sometime between 1776 and 1815. Editor: It definitely places me right into the rustic heart of that era. It feels like glancing at a memory fading at the edges... Is there anything specific Coclers wanted to express here through these subjects, these two peasant women? Curator: I suspect she was exploring archetypes of motherhood and rural life. Consider the enduring symbolism of women connected to the earth, bearing and nurturing life. Even in this seemingly simple genre scene, there's a cultural resonance echoing the works of Millet, yet rendered with a distinctly Dutch lightness of touch. Editor: Yes, there is that earth mother aspect coming out, the unending circle of woman to child, connecting people through land. The lines are so frail; does that speak to vulnerability, of dependence on harvests, or on each other? It's like she captured them not just as they were, but how the very light shaped them. Curator: Light itself carries a weight here, it seems. Perhaps Coclers, working in a period heavily influenced by Baroque aesthetics, aimed to use that etching process to soften such an iconic association of women with toil and create an empathetic, intimate space. Notice how details soften into pure light. Editor: So lovely. I will carry this image with me and recall those peasant mothers holding children as a connection between ourselves and their far off silent world. Curator: Agreed. It's an understated work, yet unforgettable in its quiet power.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.