Man Sitting on an Auricular Mask, Supporting a Strapwork Frame on His Shoulders from Veelderleij niewe inventien van antijckesche sepultueren diemen nou zeere ghebruijkende is met noch zeer fraeije grotissen en compertimenten zeer beqwame voer beeltsniders antijcksniders schilders en all constenaers...Libro Secundo 1557

This engraving, made by Johannes van Doetecum I around the late 16th century, showcases the elaborate ornament that was then fashionable in the Netherlands. The image depicts a man stoically supporting a complex architectural structure, teeming with figures derived from classical mythology. The print is part of a series meant to provide design ideas for sculptors and other artists. These pattern books reflect the period’s intense interest in classical forms, but filtered through a Northern European sensibility. Note the grotesque mask at the bottom, typical of the “auricular style” popular at the time. The production and circulation of prints like these depended on a network of artists, publishers, and patrons. They speak to a growing art market and the increasing professionalization of artistic practice. By studying these images and the social conditions surrounding their creation, we can better understand the complex cultural landscape of the period. Researching these artists, their patrons, and the broader artistic culture of the time helps us unlock the meanings embedded within.