Reiger aan het water met twee vissen bij zijn poten 1891 - 1941

Leo Gestel made this drawing of a heron with ink on paper, but we don’t know exactly when. The simple tools, ink and paper, are everything here. Look at how Gestel uses the varying thickness of the lines to bring the heron to life. The ink sits right on the surface; there's no hiding the marks. See how he flicks the brush to make the feathers, and then lays down a thicker line to describe the body? It's like he's dancing with the bird, capturing its essence in a few strokes. I wonder what kind of brush he used. I love the way the tail feathers almost look like curly fries! It's playful, right? There's a beautiful economy of means here, a kind of directness that reminds me of Matisse's line drawings. Both artists share a love for distilling form down to its most essential elements, proving that sometimes, less really is more. This piece is a reminder that art-making is an ongoing conversation, an exchange of ideas across time and space.