Portrait of Shah ‘Abbas I c. 1617

Editor: Here we have a portrait of Shah Abbas I, attributed to Bishndas. It’s watercolor, ink, and opaque on paper. The detail in the face is compelling, but the rest is just sketched in! What is the story here? Curator: This piece speaks volumes about power and representation. While seemingly unfinished, its focus on the Shah's face highlights the immense importance placed on his individual identity and authority. In what ways do you think this emphasis reflects the sociopolitical climate of the time? Editor: So, it's less about the artwork itself and more about what the portrait represented for the society at the time? Fascinating! Curator: Precisely! It encourages us to question who has the power to be fully represented and who remains sketched in the margins, both literally and figuratively. Editor: That gives me a lot to think about. Thank you. Curator: Indeed. It’s through this lens of power and visibility that we can truly appreciate its enduring relevance.