Fern in the Hat 1953

Editor: Here we have Jean Dubuffet's "Fern in the Hat", held at the Tate. I'm struck by the raw materiality of the piece, the gestural lines, and the earthy palette. What can you tell me about this work? Curator: Notice how Dubuffet subverts traditional notions of art making through his process. He employed unconventional materials and techniques, challenging the divide between high art and the everyday. How does this relate to post-war consumption and the rejection of established norms, in your opinion? Editor: I see that. The splatters and seemingly haphazard application suggest a deconstruction of traditional artistry. So, it's a rejection of pre-war standards? Curator: Precisely. It reflects the re-evaluation of labor, materiality, and even consumerism itself within the artistic landscape. It certainly gives you much to think about. Editor: Absolutely! It's fascinating how deeply connected the materials and process are to the broader social context.