And Drive Dull Care Away 1883

Editor: "And Drive Dull Care Away," an etching by Ignaz Gaugengigl from 1883. There is an incredibly fragile quality to the composition, and how Gaugengigl models light is remarkable! What do you notice when you look at it? Curator: Formally, it is intriguing how the artist uses etching to explore contrasts. Observe the detailed cross-hatching used to depict the figure’s clothing and the subtle gradations in the background. How do these formal choices shape the overall effect of the composition? Editor: It makes me consider the composition: a single figure in an interior, and the almost blurred out background behind him. It is striking to me that even with all the details, nothing feels truly solid in the space. What does the texture created by etching lend itself to? Curator: It seems the very *lack* of solidity is the subject. Note how Gaugengigl's deliberate use of the etching technique, specifically in how the light and shadow define space. Do you agree that it dissolves solid forms, leading the eye across the composition? Editor: That's a wonderful point; I hadn't thought about that quality of line work and implied light! The dissolution of form you pointed out lends the scene such dynamism. Curator: Indeed! And the linear perspective flattens the planes while simultaneously accentuating the composition’s foreground, the space seems self-contained. The surface becomes both image and object, disrupting the conventional illusionism. Editor: That focus on form and light is very useful in seeing what Gaugengigl is attempting, even across the years separating us. Thank you! Curator: The pleasure was all mine, by thinking of Gaugengigl’s emphasis on form and surface, it changes one’s perception of even simple art objects!