drawing, pen
portrait
drawing
figuration
romanticism
pen
cityscape
genre-painting
dress
Dimensions height 243 mm, width 162 mm
This fashion plate, published in France in 1839, displays archetypes of bourgeois fashion. Here, the attire is not merely clothing; it is a symbolic language, a form of social expression. The straw hats adorning the women, for instance, were more than mere headwear; they were emblems of pastoral leisure adapted for urban display. Straw, linked to agrarian simplicity, becomes a marker of cultivated taste when perched atop the heads of fashionable ladies. The gentleman’s top hat and cane, similarly, speak volumes. The cane, a vestige of the shepherd’s crook, has been transformed into an instrument of urban navigation, a scepter of the city dweller. This echoes motifs that stretch back through time, from royal scepters to the staffs of ancient priests. We see the psychological phenomenon of adaptation, where objects evolve, carrying ancestral echoes into new contexts. These echoes resonate subconsciously, influencing how we perceive status and authority. This plate is not just about fashion; it's about how we dress ourselves in layers of cultural meaning.
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