Possibly 1913 - 1919
Nasanunaka
Listen to curator's interpretation
Curatorial notes
Shunyo Yanagawa made this serene print called Nasanunaka, and it just hums with gentle energy. The whole thing feels less about representation, and more about a kind of visual poetry. Look at how the artist simplifies the form of the heron, turning it into an almost abstract shape. There’s a playfulness here, a willingness to let the image breathe and exist as a collection of flat planes rather than a detailed depiction. The color palette is muted, almost ghostly, adding to the dreamlike quality of the piece. The vertical lines slicing through the composition feel like reeds in a marsh, but they also disrupt the space, creating a sense of unease. The concentric circles beneath the bird’s feet ripple outwards, mirroring the bird’s presence, and suggesting a dialogue between the figure and its surroundings. I see this as something akin to Agnes Martin’s quiet grids, a pursuit of the sublime through simplicity and repetition. Art's not about answers, it's more about keeping the conversation flowing.