Sugar bowl with cover by Chantilly

Sugar bowl with cover 1735 - 1750

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ceramic, porcelain, earthenware

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ceramic

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flower

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porcelain

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earthenware

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ceramic

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earthenware

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decorative-art

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rococo

Dimensions: 4 × 6 1/4 in. (10.2 × 15.9 cm)

Copyright: Public Domain

Curator: So delicate! The ‘Sugar bowl with cover’ made in Chantilly, France, between 1735 and 1750. Crafted from earthenware, it represents a charming example of Rococo style. The floral decorations, rendered in soft blues and oranges, just whisper elegance. Editor: Whispering, yes, a very hushed elegance. It looks…vulnerable, somehow. Like a particularly precious teacup, just begging to be broken if used carelessly. It’s all gentle curves and pastel tints. It evokes a genteel, perhaps even melancholic, tea party. Curator: What intrigues me is how these refined porcelains circulated and shaped tastes among the elite. Consider the process: raw materials extracted, transformed by skilled labour, traded across borders, and ultimately consumed as markers of social status. Each stage reveals aspects of economic and cultural power. Editor: Absolutely! There's also a sense of restrained playfulness—like a powdered wig suppressing a giggle. Look at those painted flowers! Each is unique; a miniature expression of nature controlled, codified even, and translated onto earthenware. Do you think that lid is trying to impersonate leaves? Curator: Well, the forms draw heavily from natural motifs popular in the Rococo period. However, beneath that lies the very real infrastructure needed to sustain a porcelain factory. The sourcing of materials, the factory layout, the division of labour. Think about the social relations embedded within the making process. Who had access to such luxurious items? And what was the human cost of production? Editor: I wonder, when these were fired in the kiln, were the makers hoping some duchess would cradle it while discussing politics? Or were they simply focused on the task? It is incredible, after all this time, to have its story discussed again. Curator: Ultimately, viewing this "Sugar bowl with cover" reveals more than aesthetics. It reveals trade, labor, the material realities underlying courtly refinement, reminding us that art and society are inextricable. Editor: Yes, that simple shape carries a complex tale of craft, capital and powdered wigs! One tiny sugar bowl and so many stories held within!

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