Konijnen knabbelend aan koolbladeren by Gerard Jan Bos

Konijnen knabbelend aan koolbladeren 1835 - 1898

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print, etching, engraving

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animal

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print

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etching

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old engraving style

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landscape

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charcoal drawing

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pencil drawing

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genre-painting

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engraving

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realism

Dimensions: height 350 mm, width 255 mm

Copyright: Rijks Museum: Open Domain

Curator: The first impression I get from this etching is one of calm. It feels like observing a peaceful, everyday moment. Editor: Indeed. What we have here is "Konijnen knabbelend aan koolbladeren"—"Rabbits Nibbling on Cabbage Leaves"—by Gerard Jan Bos. Dating from between 1835 and 1898, this print provides a snapshot into a small, contained world. Curator: I'm drawn to the meticulous detail. Look at the varied textures achieved solely through line work. The rough, weathered wood of the barn door juxtaposed with the soft fur of the rabbits is remarkably effective. I can almost feel the texture. Editor: From a sociohistorical perspective, this engraving situates itself within the broader genre of animal paintings which became especially popular among the burgeoning middle class who were starting to embrace different categories of domesticity and intimacy. Note how Bos captures an element of realism in portraying these rabbits not as fantastical creatures but engaged in mundane activity of feeding. Curator: Precisely, and consider the composition itself. The rabbits are arranged almost as a still life—the various colours, from the deep browns to the bright white, create visual harmony. Even the clutter of cabbage leaves contributes to the balance. I'm especially intrigued by how this is all playing out in terms of tone. Editor: The presence of those baskets—almost cages—in the background introduces a somewhat troubling element. Are they indicative of something? Perhaps hinting at the utilitarian function of these animals beyond mere domestic companions? Curator: An interesting interpretation. I see them as emphasizing a self-contained little world, sheltered away from the bigger social issues of the time, as such realities of agricultural life are erased. I will be mulling over the politics surrounding animal depiction within society for some time. Editor: On my end, I find myself newly captivated by Bos' skill. His printmaking shows us a world through such precise tonal contrasts and structured compositions, making for an enduring viewing experience.

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