Advent Head 1948 - 1949

Curator: Ossorio's "Advent Head," currently residing here at the Harvard Art Museums, presents a fascinating composition. Editor: My initial reaction is one of overwhelming chaos; it is riotous, with layered marks and bright splashes competing for attention. Curator: It's interesting you say that. The piece can certainly feel overwhelming. Ossorio often incorporated personal iconography, religious motifs, and biomorphic forms into his work. Editor: The materiality is definitely speaking to me. Look at the layering of paint and the gestural application. What was Ossorio considering when he chose this technique? Curator: Ossorio's engagement with surrealism and his Catholic upbringing coalesce here, suggesting the complexity of spiritual awakening. Editor: It’s clear Ossorio was deeply engaged with his process and material—pushing boundaries, seeking the sacred. Curator: Indeed, his symbols offer a personal and culturally rich dialogue. Editor: Examining the artwork through its materials opens up so many interpretations.