Illustration XXX: Ruth, having come to Bethlehem with her mother-in-law Naomi, goes to glean after the reapers in the field of Boas (Ruth 2). by Anonymous

Illustration XXX: Ruth, having come to Bethlehem with her mother-in-law Naomi, goes to glean after the reapers in the field of Boas (Ruth 2). c. 16th century

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Editor: This woodcut, titled "Illustration XXX: Ruth, having come to Bethlehem…", feels so immediate, even though it's anonymous and undated. It depicts a scene from the Book of Ruth, but what strikes me is how it portrays labor and community. What do you see here? Curator: It's interesting to consider how this image circulates. As a biblical illustration, it’s likely intended to reinforce social norms, particularly those related to charity and women's roles. Notice how Ruth is positioned within the field, both working and potentially vulnerable to the male gaze. How does this presentation shape our understanding of her story? Editor: I hadn't thought about the power dynamics embedded within the image itself. Thanks! Curator: Indeed, the image's public role highlights the complex politics of representation. This small work carries a weighty message.

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