Melkkan, beschilderd met een landschap met vee c. 1809 - 1814
porcelain
neoclacissism
landscape
porcelain
genre-painting
Dimensions height 13.5 cm, width 13 cm, depth 8.1 cm
Curator: Here we have an early 19th-century milk jug crafted around 1809-1814 by the Koninklijke Porseleinfabriek Dommer & Co. It’s entitled "Melkkan, beschilderd met een landschap met vee" and is now held at the Rijksmuseum. Editor: It’s surprisingly serene, isn’t it? That delicate pastoral scene offset against the stark white porcelain… and gold trim! It has such an air of tranquility. Curator: Indeed. Notice how the artist employed Neoclassical sensibilities with a hint of genre painting. The idealized landscape creates a distinct viewing experience and invites an interaction with class and style. Editor: Absolutely, the balance here is fascinating. On one hand, we have the landscape that harkens back to simpler times, contrasted by this highly manufactured porcelain and gilded detail—clearly designed for aristocratic or bourgeois tables. How interesting that those idyllic scenes of rural life were enjoyed by those so removed from it. Curator: Precisely! And the rendering of light across the piece is wonderful. Observe the shadow and shape around the livestock as well as the resting human figure painted within the center of the landscape. It adds great dimension to the scene on what is fundamentally, a utilitarian object. The strategic color choices lend themselves nicely to this interpretation. Editor: It’s quite self-conscious. As you suggested, it evokes this fantasy, I’d say, of nature, painted on porcelain, for owners detached from manual labor, agriculture. What does that tell us about the Netherlands at the turn of the 19th century? The value system seems to be a fascinating study. Curator: Yes, the political messaging cannot be understated. Even something so small carries a powerful historical weight! Editor: Exactly. It is indeed a remarkable objet d'art from a period marked with grand shifts in social thought. The more I look at the piece, the more layers I notice in its subtle commentary. Curator: Agreed. An understated work of art offering great reflection, ripe with meaning and a testament to that important era of production, design, and visual taste.
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