Op weg naar de Nieuwe Kerk, te Amsterdam op 6 September 1938, voor de herdenkingsbijeenkomst van het 40- jarig regeeringsjubileum van H.M. de koningin by Anonymous

Op weg naar de Nieuwe Kerk, te Amsterdam op 6 September 1938, voor de herdenkingsbijeenkomst van het 40- jarig regeeringsjubileum van H.M. de koningin Possibly 1938 - 1939

0:00
0:00

photography, gelatin-silver-print

# 

portrait

# 

photography

# 

gelatin-silver-print

# 

modernism

# 

realism

Dimensions: height 149 mm, width 105 mm

Copyright: Rijks Museum: Open Domain

Curator: What does "Op weg naar de Nieuwe Kerk" by an anonymous artist, likely from 1938 or 1939, communicate to you? Editor: It's a gelatin-silver print depicting Queen Wilhelmina and another royal figure, perhaps Juliana, walking to a ceremony. There's a sense of restrained elegance but also...almost a somberness? I’m wondering, what do you see when you look at this photograph? Curator: I see a carefully constructed image of power and duty, one ripe with historical tension. The photograph commemorates Queen Wilhelmina's 40th Jubilee in 1938, a moment of national pride just before the storm of World War II. How do you think the historical context affects your reading of the image? Editor: Knowing it was taken right before the war definitely shifts things. That somberness I felt seems more significant now – less about formality and more about the weight of the future. Curator: Exactly. The artist chose to focus on the figures in transit, emphasizing their roles as symbols of national stability at a time when the very notion was deeply fragile. Consider the choice of black and white, the slightly blurred background. Are they merely walking to a church service, or are they carrying the hopes of a nation on their shoulders? Do you perceive any underlying currents related to gender in that moment in time? Editor: I never would have considered all that just from a quick glance. The gender dynamic adds another layer – women embodying national strength in a time of impending crisis. It is definitely more complex than I thought. Curator: It's a photograph that invites us to think critically about the intersection of history, identity, and representation. There’s always something hidden in plain sight. Editor: Absolutely. I see that now. It makes you wonder what the photographer was trying to capture, and what they were leaving unsaid. Thanks!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.