Doctor Syntax Preaching by Thomas Rowlandson

Doctor Syntax Preaching 1 - 1815

thomasrowlandson's Profile Picture

thomasrowlandson

minneapolisinstituteofart's Profile Picture

minneapolisinstituteofart

aquatint, hand-colored-etching, print

# 

aquatint

# 

aged paper

# 

toned paper

# 

hand-colored-etching

# 

light pencil work

# 

quirky sketch

# 

print

# 

sketch book

# 

personal sketchbook

# 

coloured pencil

# 

england

# 

watercolour illustration

# 

sketchbook art

# 

watercolor

This hand-colored etching by Thomas Rowlandson depicts a scene from the satirical series *Doctor Syntax*. The print, titled *Doctor Syntax Preaching*, shows a caricatured cleric preaching in a church. Rowlandson's work is known for its humorous and often exaggerated portrayal of contemporary society, and this piece is a great example of his style. The image of a church packed with colorful characters, many with humorous expressions, conveys the artist’s playful and critical perspective. Created in the early 19th century, this work offers viewers a glimpse into the social and cultural trends of the time.

Show more

Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart about 1 year ago

Rowlandson's Doctor Syntax The Tours of Doctor Syntax was an immensely successful series; Rowlandson produced the pictures, which were made into a story by the author William Coombe, who wrote poems to accompany them. Three satirical books were published (1809-21) that follow the hilarious misadventures of a foolish clergyman and schoolmaster, Dr. Syntax, a kind of English Don Quixote. The absurdity of Syntax's character and mishaps incisively mock the customs of the day. Rowlandson devoted most of his time to magazine and book illustration in the second-half of his career, working primarily for the enterprising publisher, Rudolph Ackermann (1764-1834), who printed the Doctor Syntax series. Rowlandson's later activities mark a gradual shift in the caricature genre, when publishers and artists moved away from the production of single, high-quality, expensive prints to the cheaper comical cartoons that were featured in widely distributed magazines. Weeklies like Punch and the Illuminated Magazine were founded in the 1840s and would become a staple of Victorian England. Caricature in this new era served more frequently as illustrated journalism, with cartoons representing an editorial point-of-view, often produced by professional illustrators hired by magazines.

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.