Schelpen rapen op het strand van Akashi by Utagawa Kunisada

Schelpen rapen op het strand van Akashi 1855

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print, woodblock-print

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aged paper

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toned paper

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narrative-art

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print

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asian-art

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landscape

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ukiyo-e

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coloured pencil

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woodblock-print

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genre-painting

Dimensions: height 356 mm, width 250 mm

Copyright: Rijks Museum: Open Domain

Curator: Well, hello there. What first strikes you about this print? I see a beach bursting with folks, a complete jamboree. Editor: It feels chaotic. There's so much movement, yet the muted palette creates a sense of somberness. But tell me, what exactly are we looking at? Curator: This beauty is “Shell Gathering at Akashi Beach,” a woodblock print made around 1855 by Utagawa Kunisada, housed right here at the Rijksmuseum. Isn't it a marvelous scene? Like a glimpse into everyday life. Editor: It's interesting how Kunisada depicts labor as leisure. But I'm also thinking about what 'shell gathering' might symbolize beyond a simple day at the beach. Was it perhaps a practice only afforded to some and not others, for example? Who benefits from representing shell gathering? Curator: Oh, I like how you’re thinking! The joy is undeniable, and that sky, it feels limitless. Though, with all this hustle and bustle, I do wonder what treasures they hope to unearth—what hidden meanings they carry, you know? Editor: Precisely. It's impossible not to consider these beachgoers in the broader context of socio-economic dynamics. The dark blue of the sky in contrast to all of the figures gathering could also be an exploration of tensions between human endeavors and the natural world. The abundance represented is carefully framed. Curator: Oh, exactly! Frames within frames. So very self-aware and present to me! Like they want to have fun but realize they're stuck on a treadmill toward doom. Editor: Well, perhaps! Thinking about the print as narrative, how might it inform our present moment of mass labor? Curator: All in all, this woodblock is more than just a pretty picture, huh? I mean, it gets you thinking—mulling over daily rituals, economic stratification, mortality, the state of things. Editor: It is an entry point—a beautifully constructed snapshot inviting endless reflection. The contrast in emotions is intense. The everyday and its complexity rendered accessible, challenging us to look deeper, isn't that right?

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