Bloemenkrans, horlogekast en medaillon before 1676

This print, *Bloemenkrans, horlogekast en medaillon*, was created by Jacques Vauquer sometime in the 17th century. Here, we observe a series of circular vignettes, each meticulously detailed and arranged horizontally across the page. Notice how each circle functions as a frame, encasing a distinct narrative or decorative motif. On the left, the floral wreath is a study in organic form, its intricate patterns creating a sense of natural abundance, while the other circles depict scenes that seem to represent classical allegories or religious events. The artist's use of line and form draws our attention to the contrast between natural, ornamental motifs and symbolic figurative scenes. These designs seem to be more than mere decoration. They engage with ideas about framing and containment, questioning the relationship between the image and its context. This interplay between form and content invites contemplation on the boundaries of representation and the role of the frame in shaping our perception.