Dimensions: 63.5 x 53.0 x 40.0 cm
Copyright: Public Domain
This is a portrait bust of Friedrich Nietzsche by Max Klinger, currently residing at the Städel Museum. The material is bronze, a medium which allows for the capture of fine detail, but which here feels kind of sludgy and overworked. Notice the heaviness of the form, the dark, almost mournful tonality, and the way the philosopher's gaze seems to be directed downwards. There's a real sense of weight and gravity to this piece, which is mirrored in the thick, almost clotted texture of the bronze itself. Look closely, and you can see the marks and impressions of Klinger's tools - the evidence of his process is right there on the surface. The texture of the moustache is so overworked that the whole piece has a restless, unresolved quality. I'm put in mind of Rodin, who also wrestled with the weight and density of bronze. But whereas Rodin’s work seems to push towards some expressionistic goal, Klinger holds something back. He leaves us in a place of ambiguity.
"A face displaying such boundless and indescribable mental anguish without distortion, without wrinkles, with only the deepest tortured resignation." This is how Klinger described Nietzsche's death mask, from which he created various likenesses of the philosopher. Nietzsche had died in August 1900 in total mental derangement, before the artist was able to meet him. Commissioned by Harry Graf Kessler, Klinger created a representative, stylised marble bust, the bronze version of which was acquired by the Städel in 1910. Through the monumental herm form, Nietzsche became a key figure in the revival of the Greek aesthetic culture of antiquity.
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