photography, gelatin-silver-print
portrait
photography
historical photography
gelatin-silver-print
19th century
realism
Dimensions height 87 mm, width 53 mm
Editor: Here we have a gelatin-silver print titled "Portret van een jongen, staand bij een balustrade" – that's "Portrait of a boy standing by a balustrade" – made sometime between 1871 and 1907 by Gerarda Henriëtte Matthijssen. He looks so serious, almost prematurely aged by the formal clothes. What do you make of it? Curator: It’s interesting how these photographic portraits functioned in the late 19th century. Consider the socio-economic context; the relatively new technology of photography was becoming more accessible, yet it was still a considered investment, especially for formal portraits. Who were these portraits intended for, and what social functions did they serve? Editor: Well, I suppose it was a status symbol. A way to show prosperity. Perhaps for family albums or as a way to present oneself to potential marriage partners? Curator: Precisely. These images were meticulously constructed to project particular identities. Note the boy's posture, clothing, and the balustrade – all suggesting respectability and a certain social standing. Do you think the photograph captures the *boy* himself, or an idea *of* a boy? Editor: That's a great question. I suppose it's more of a representation. It’s what his family wanted to project, maybe? The balustrade does seem a little staged, like a prop. Curator: The staging is key. How do institutions, like photographic studios and even families, influence the presentation of individuals within a portrait? The ‘realism’ we see is highly mediated. And how do these visual markers contribute to the narrative of upward mobility and social aspiration so prominent in that era? Editor: That's fascinating. I hadn’t considered the degree to which the photo is manufactured. It's like viewing a tiny play acted out for the camera! Thanks. Curator: Thinking about the image this way, the performative aspects become so much clearer. It reveals the fascinating interplay between individual agency and societal expectations, as constructed through a lens.
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