photography, gelatin-silver-print
pictorialism
landscape
photography
low atmospheric-weather contrast
england
gelatin-silver-print
monochrome photography
monochrome
Dimensions 14 × 13.5 cm (image/paper); 40.4 × 33.3 cm (album page)
Peter Henry Emerson made this photograph, "A Suffolk Shrimper Going Off", using the photogravure process sometime in the late 19th century. Emerson championed photography as an art form and in this image, we see a fishing boat heading out to sea. Made in England, it reflects a moment when debates about industrialization and its impact on rural life were intensifying. Emerson's choice to depict a traditional fishing method, in a soft, almost painterly style, can be seen as a commentary on these changing times. Was he romanticizing a disappearing way of life? Was it just a neutral record? Perhaps the image critiques the art institutions of its time, pushing photography into the realm of fine art. Understanding this image requires us to look into the social and economic conditions of late 19th-century England, its art institutions, and the debates surrounding photography's place within them. The historian's role is to uncover these layers, allowing us to appreciate the photograph not just as a picture, but as a product of its time.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.