Portret van een jonge vrouw by Atelier Apollo

Portret van een jonge vrouw 1890 - 1910

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photography, gelatin-silver-print

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portrait

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self-portrait

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pictorialism

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photography

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gelatin-silver-print

Dimensions: height 83 mm, width 52 mm

Copyright: Rijks Museum: Open Domain

Curator: So, here we have "Portret van een jonge vrouw", or "Portrait of a Young Woman," a gelatin silver print produced sometime between 1890 and 1910 by Atelier Apollo. Editor: It’s subtle. At first glance, just a young woman. But the softness, that ethereal glow...it's like she's caught between worlds, a whisper from a bygone era. There's something haunting, melancholic. Curator: Precisely. The use of gelatin silver aligns with the rise of Pictorialism, a movement pushing photography towards artistic expression, moving beyond mere documentation. This aesthetic aimed to give photography the emotional resonance and ambiguity of painting, fitting into debates around photography's place within high art. Editor: Right! That makes so much sense. That deliberate blur softens every edge. She's real, yes, but almost…idealized. It is very painterly actually! Almost like the pre-Raphaelites. Do you think there are symbolic or allegorical purposes for such kind of portraits during this period? Curator: Indeed. Many portrait studios would emulate the popular styles in painting, providing a tangible aspiration for sitters wanting to align themselves with certain cultural values or class aesthetics. Also, keep in mind that owning such photographic portrait allowed middle class people to own art! Editor: I hadn't considered that democratization aspect! Still, looking at her...those knowing eyes...I keep wondering about her story. Who was she? What dreams did she carry? You know, I like how the frame looks antique-y; I think it really enhances that nostalgic sentiment you talked about. Curator: Well, sadly, the specifics of this young woman are lost to history, she stands in for countless others. A relic and witness of social shifts during photography’s rapid development. Editor: Ah, well. Maybe it’s better that way, allows each of us to create our own stories for her. It really shows how one image can encompass whole universes. Curator: Indeed. And seeing its reception, that's art's fundamental appeal isn’t it? A window to shared and intensely personal readings of a society’s imagination.

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