Medallion by Victor Peter

Medallion 1895 - 1905

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metal, relief, bronze, sculpture

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portrait

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metal

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sculpture

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relief

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classical-realism

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bronze

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sculpture

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carved

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symbolism

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decorative-art

Dimensions Diameter: 4 5/16 in. (11 cm)

Curator: Here we have Victor Peter's "Medallion," created between 1895 and 1905. It’s a bronze relief sculpture, quite striking in its classical realism. Editor: There’s a dreamlike quality to it, even with the realism you mention. The smooth bronze gives the figures a soft, ethereal feel. Almost like a scene plucked from a half-remembered myth. Curator: Precisely! The choice of bronze lends a timeless quality, doesn’t it? And the composition, a nude figure with a deer, speaks volumes. The deer, throughout history, has symbolized innocence, gentleness, connection to nature, maybe the divine feminine. Editor: That connection to nature is interesting. The nudity, of course, historically used to represent the idealized male form, also links them both, the figure and deer, to an unsullied natural state, free from societal constraints, perhaps. Is there an intended allegory? Curator: Well, we can interpret it several ways. Peter may be drawing upon classical depictions of deities or heroes alongside their animal companions, conveying ideals of harmony, innocence, a lost paradise. The addition of the laurel branch furthers that sense of a more idealized realm, even some sort of hard won prize. Editor: The idyllic symbolism contrasts starkly, for me, with the colonial context of the late 19th and early 20th centuries. The pursuit of a return to innocence is perhaps in direct proportion to the awareness of growing world complexity. Was this an intentional rejection of industrial society? Curator: Perhaps a commentary, whether intended or not, on the perceived loss of purity in the modern world. Many artists in that era sought refuge in classical themes. So much rapid social change must have produced cultural amnesia, in which the work strives to restabilize collective norms. Editor: This piece almost feels like a bittersweet echo, the idealized nature existing side by side with the echoes of what was already starting to change, be exploited and potentially erased in their time. Curator: It is, and perhaps that’s where the artwork's lasting appeal lies. It's more than mere representation. It’s an echo chamber. The symbols resonate, triggering emotional and intellectual connections within us even today. Editor: Absolutely. It urges us to look beyond its surface and examine the complex relationship between nostalgia, progress, and the artistic quest for something enduring.

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