photography, gelatin-silver-print
portrait
photography
coloured pencil
gelatin-silver-print
Dimensions length 104 mm, width 61 mm
Curator: It’s rather melancholic, don’t you think? This gelatin-silver print captures a young boy, Pieter de Boer, sometime between 1886 and 1899. It's attributed to Johan C. Witte. He looks quite the miniature sailor. Editor: My first impression is the clear labor involved. Beyond just the subject, the visible emulsion lift speaks of aging and process. Even the sailor suit reflects mass production, available perhaps via catalogue, allowing aspiration beyond station. Curator: Aspiration, indeed! I see him standing there, posed stiffly by the railing, and I wonder what dreams of the sea that little anchor sparked in his imagination. Is it longing, is it duty, or is it the very human desire to be more than one's present circumstances suggest? It feels more theatrical, even comical today. Editor: The anchor isn't just decorative, it's functional. Someone made that sweater, sewed on that emblem, polished the photography glass plate for repeat custom. The studio backdrop seems fake, though, undermining the whole "escape to sea" fantasy. It makes me think about the cottage industries popping up around that time serving expanding commercial desires. Curator: And yet, the very act of freezing him in time elevates Pieter. Photography gave ordinary people immortality. Think about all the vanished possibilities residing inside this tiny picture—who he became, the ships he might have sailed on, the love he felt, the ordinary human business that has slipped away, but is captured here, for us. It echoes still. Editor: A point well taken. Beyond any individual's story, it is crucial to remember how many studio portraits would've simply been discarded by later generations, deemed unusable, but for collectors of paper ephemera or archival reasons. It gives you an additional understanding of its making as well, especially those pieces produced using gelatin and silver, materials that fluctuate intensely in market value today. Curator: So we meet again. In him, and ourselves, searching the past to find a path into some version of the future. The human quest. Editor: Indeed. Every artwork hides labor and manufacture behind an easy façade; questioning that tension deepens engagement, doesn't it?
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