Design 1940

Curator: Take a look at Stuart Davis' "Design," dating from 1940, currently held at the Harvard Art Museums. Measuring about 11 by 8 1/2 inches, it’s a glimpse into his process. What strikes you first? Editor: It's incredibly raw, like a page torn from a notebook. I'm drawn to the concentric triangles; they feel almost like a target, or perhaps a stylized mountain range seen through layers of atmosphere. Curator: Davis was deeply interested in simplifying complex visual experiences into basic elements. The triangle, repeated, could symbolize layers of meaning, resonating with ancient symbolism of stability, aspiration, and even divinity. Editor: Maybe. Or maybe it’s just a cool shape he kept coming back to! I like how he scribbled "Design" right there on the page. It's so matter-of-fact, almost humorous. Curator: Absolutely, that directness is part of Davis’ charm. He’s laying bare the fundamental components he uses to build his visual language, revealing an inner logic. Editor: It does demystify the creative act, doesn’t it? It’s like he’s saying, “Hey, this is all it is, just playing with shapes, lines, and ideas.” And yet, there’s a definite energy in the simplicity. Curator: Indeed. It's a reminder that even the most abstract concepts start with simple marks, building blocks for more complex meanings. Editor: It’s freeing to see that. I feel like I can go home and draw a few triangles myself.