Twee buffetkasten by Anonymous

Twee buffetkasten 1658

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drawing, paper, engraving, architecture

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drawing

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baroque

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paper

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form

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engraving

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architecture

Dimensions height 193 mm, width 267 mm

Curator: Welcome. Here we have an engraving titled "Twee buffetkasten," or "Two Buffets" in English, dating back to 1658. Editor: Woah, "stately" is the first word that jumps to mind. I mean, look at those things! They're less furniture, more miniature temples. Are they even functional, or just pure display? Curator: That's a good question. While clearly functional for storing and presenting precious items, pieces such as these served a powerful symbolic role during the Baroque period. Think displays of wealth, power, and sophisticated taste within a domestic setting. Editor: I get it, it’s all about the 'gram...except the 'gram is your dining room. And imagine trying to dust all those tiny carvings. So much Baroque-en and elbow grease required! But I do admire the dedication. Curator: Absolutely, that's the interesting tension: elaborate displays and immense wealth built upon immense labor. Also consider how access to such displays was carefully controlled—visible mostly to an elite circle reinforcing existing power dynamics. The very *form* of these objects echoes the architectural styles favored by the elite. Editor: Right, the columns, the little pediments... they're playing house with the architecture of palaces, shrinking down authority into something you can keep your silverware in. Except maybe only golden silverware! It makes me wonder, who was the intended audience? Were these designs meant to be aspirational or instructional for other craftsman, or to promote luxury as a social value for the aristocratic consumers? Curator: Most likely all of the above. The engraver almost certainly intended a broad readership from wealthy patrons, aspiring craftsman or merchants looking to emulate elite tastes, and fellow artists seeking inspiration. Consider the political tensions of the time too, with rising mercantile power subtly challenging the old aristocracy through these very kinds of displays. Editor: Fascinating. Makes you rethink that simple buffet table. Curator: Precisely. These designs provide insights into the period's values, aspirations, and subtle power struggles that might be missed if we just saw it as a pretty piece of furniture. Editor: And I'm suddenly feeling a lot less guilty about my own dusty shelves... maybe.

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