print, engraving
narrative-art
landscape
figuration
genre-painting
northern-renaissance
engraving
Dimensions height 103 mm, width 73 mm
Curator: Here we have "Gelijkenis van het onkruid tussen het graan," or "The Parable of the Weeds Among the Wheat," an engraving dating back to 1629 by Christoffel van Sichem II, currently residing here at the Rijksmuseum. Editor: Wow, it's like looking at a meticulously rendered nightmare! There’s so much happening, yet the dense, cross-hatched lines make it feel almost claustrophobic. That fire in the background is especially ominous. Curator: Indeed. The print uses stark contrasts to delineate its intricate scenes and figures, illustrating a passage from the Gospel of Matthew. Consider the organization; van Sichem utilizes the landscape to depict different parts of the parable simultaneously. Editor: It feels like time is collapsing! We see the devil sowing weeds among the wheat in the foreground, the servants seeking permission to remove them, and then… is that the burning of the tares I spot there in the middle ground? It is visually jarring but surprisingly effective. Like a comic panel! Curator: Precisely! Each zone reveals aspects of the narrative, offering a complex layering of visual information that’s characteristic of Northern Renaissance prints, further the figuration amplifies the didactic intent, urging the viewer towards moral introspection. Editor: Makes you wonder, doesn’t it? Are we all the wheat, or are some of us… weeds? And that question persists. It resonates even centuries after its creation. Is this not the perfect metaphor for existence in all its confounding, chaotic beauty? Curator: Van Sichem successfully encapsulates a weighty theological question within this small print by playing on the dialectic forces inherent to moral choice as it unfolds in everyday existance. The detailed landscape invites the observer to participate in its truth! Editor: What I like best about returning to this, it makes one rethink, or more rightly, *feel* what that truth is over and over again! Curator: Yes, in that continuous feeling, its didactic power never diminishes!
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