Lynmouth, from Lynton 1897

Editor: This is Joseph Pennell's "Lynmouth, from Lynton." It's so delicate, but the sharp lines give it a real sense of depth. What stands out to you? Curator: I'm drawn to the etching process itself. Consider the labor involved in creating those lines, and how the materials – the metal plate, the acid – shaped the final image. It's not just a landscape; it's a record of its own making. Editor: So, the process is as important as the subject matter? Curator: Precisely. How does the printmaking medium itself shape our understanding of the scene, especially considering the social context of print production and consumption at the time? Editor: I see what you mean, it adds another layer to the artwork. Thanks!