Ikebana bloemstuk in groene vaas 1765 - 1766

Ippitsusai Bunchō made this image of an Ikebana flower arrangement in a green vase sometime between 1765 and 1792, using woodblock printing, or *ukiyo-e*. The vase, rendered in gentle greens, sits atop a dark wooden stand, which itself rests on a surface that’s been cleverly printed to resemble wood grain. Bunchō, who specialized in *ukiyo-e*, has considered the material qualities of the paper itself, allowing its creamy tone to serve as background. The careful layering of colors gives a sense of depth and texture to the flora. Woodblock printing was integral to the development of Japanese art, connecting artistic vision with skilled labor. Each color requires a separate block, demanding meticulous carving and registration. What might seem like a simple image actually represents a complex division of labor, a collaboration between the artist, block carver, and printer. This speaks to the social context of art production, where the artist’s concept is brought to life through the labor of others. Considering the materials, the making, and the context allows us to look beyond the image itself, and understand the rich cultural significance embedded in this print.